"Need To Feel Loved" is an atmospheric slice of house, taking inspiration from some gorgeous strings from the "Road To Perdition" soundtrack. These simmer underneath an emotional, yet strong vocal from Delline Bass, and some hypnotising drum beats, forming a well crafted song that cries out to be heard. To buy the track, click here. Reflekt - Need To Feel Loved Reflekt - Need To Feel Loved (Adam K & Soho Remix) This video is the overall winner of the Wait For Me Video Competition, beating almost 500 entries to be named as one of 6 finalists on Genero.tv, then being chosen by Moby himself as the winner.'when we announced the 'wait for me' video competition i thought we'd have around 30 or 40 entries. Instead we received 500 entries and most of them are amazing. i'm stunned at how many good entries we received. It was incredibly hard picking a winner in this competition, as there were dozens and dozens of great videos to choose from. i chose this winning video based on it's creativity, production value, concept, and humor. thanks to everyone who entered, and i'm truly sorry that there couldn't be more than one winner, as they were all really good." - Moby "The video clip portrays the story of a girl who decides to invite Moby into her life. She attempts to do so by using the "How to Summon Moby Guide for Dummies", putting herself through 10 bizarre and comical steps (each is a tribute to a different Moby video). The video was created by film students from Tel Aviv University, Israel. We tried to capture the spirit of Moby and his iconic videoclips and hope we succeeded. The pre-production took a month (shooting script, costumes, auditions, art and location scouting). We shot over 2 fun and exhausting days!" - Nimrod Had some inspiration the other day, and finally managed (after a while) to come up with a new recording. Blended with techno, electro and progressive it will definately make us move for this comings hot summer.
Tracklist: 01. Deadmau5 - Strobe (Original Mix) 02. Alone - (George Carrasco, Hectik Rivero Dub) Tom Sawyer 03. The Begiing (Original Mix) - Ed Le Funk 04. Cocoon (Andrea Roma Remix) - Ryan Davis 05. Together (Jay Mocio Remix) - E Royal, Tom Twice 06. Hypotango (Vincenzo's Phantom Image Remix) - Rodriguez Jr 07. Firmament - Acumen 08. Deadpool (Io & Sender Remix) - Amin Golestan and Marco G 09. Beaches (Original Mix) - Boris Rush 10. Cats Eat Dog (Spartaque Mix) - Twenty Ten 11. Gecko (Original Mix) - Mr Blink 12. Mr. Bean Do An E (DJ Madskillz Remix) - Dan Curtin 13. Dying To Live (Original Club Mix) Oliver Lang 14. Kalle - Zoo Brazil (BONUS TRACK) 'Strobe' is another exquisite Deadmau5 molding of fat and chunky house beats blended together with driving trance bass and wonderfully warm progressive analog synthesizer sounds. An all round crowd pleaser! 'Strobe' begins it's journey with a wonderfully lush 4 minute instrumental intro made up of some slow and deep piano chords, some high bell type pads creating a calm and serene atmosphere, an electro synth hums over in a vibrato state, some strings and even some tambourines can be heard. To buy this track, click here. Sony's candy-colored PIIQ headphone lineup isn't for everyone, but at least the new lollypop-styled Qlasp earbuds have a useful feature: an integrated flexible clip designed to keep them firmly affixed to your head as you skate, swing and slide through your active hipster day. Sure, you could just slap a pair of Lobies on your Klipsch and get the same effect with better sound, but at the cost of uglification; for a mere $25, these low-end Sony units might get the job done without telegraphing your geekiness to the world. Taste all five flavors of Qlasp at the source link. To discribe best who and what The Future Sound of London is, they were like fortune tellers from the past. A highly experimental duo that made their name popular in the underground techno scene during the 90's. Best known for Papua New Guinea and being a huge inspiration for todays electronic music, they definately hit the nail on the head when it comes to defining what techno really is. To buy their music, click here. We have Explosive Papua New Guinea Meet Rana Sobhany. She puts together some great beats using only two iPads and some apps. No laptop or synth needed—this gal's an iPad DJ. As she explains in Rob Scoble's (extra-long) video, Rana is using some additional equipment for this presentation, but she can work with just her iPads and some apps—Groovemaker House, Looptastic HD, iDaft, AC-7 Pro, Pianist Pro, and Sonosaurus Rex to be specific. Now, while Rana's not exactly doing anything that another DJ couldn't, she's certainly carrying around a lot less equipment and—assuming there's a Wi-Fi network near or she upgrades to a pair of 3G iPads—can download new tools in an instant.
Source: Gizmodo Alexis Malbert a.k.a. TapeTronic knows how to handle oldskool audio cassettes. The first video shows you his different scratch cassettes, the second one some weird customised tapes and tapedecks. A nifty little track this one, certainly different from your ordinary minimal techno we hear everyday. Soothing, melodic and at the same time progressive, it's definately a lovely track to listen to. Hopefully one day more of these tracks will populate our ipods instead of monotonous beats. To buy this track, click here. Part 2 of an educational documentary all about the history of electronic music. To view part 1, click here. Pump Up the Volume tells the story of the social and cultural explosion that was House. From its roots in Chicago, where it rose from the ashes of Disco, House music became the soundtrack to every fashion show, after–show party, premiere, and club opening around the world. Today, House is used by leading mainstream music stars, from Madonna to U2, to break into new markets and to update their sound. In fact, House has influenced more artists than any style since rock ‘n’ roll. Pump Up the Volume follows the story from Chicago and New York to Britain, interviewing key players on both sides of the Atlantic. It also considers the social impact of House—a sound that has transcended class, race, and cultural boundaries to become the soundtrack of modern popular culture. |
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